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WingMakers is neither a path or teaching,
it is simply a way of living based on spiritual equality,
and in this way of living, it proposes not to judge,
but rather to distinguish carefully between the lower frequencies of separation
and the higher frequencies of unity--one and all.
"

James Mahu, excerpted from the Collected Works of WingMakers Volume 1



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PAINTINGS OF THE CHAMBERS

(Ancient Arrow Project Art)

Extracted from Sessions Q&A by James



Question 60-S3 - Al Bielek said the paintings we see and buy are not the real ones, "...the real ones are classified." Is this so? Are there parts of the paintings that have been changed, or are they all 100% authentic as transposed from Lyricus?

A. The Chamber Paintings, as they're represented on the WingMakers' website, are translations of the real paintings. The original works reside within the Tributary Zone near the galactic center of the Milk Way galaxy. The original "paintings" are photonically animated by an advanced technology that permits the art to morph intelligently as dictated by the music. In other words, music is the engine that animates the painting.

The original environment in which the art is stored requires that I, the translator, take a "snapshot" of the painting that best represents the dynamic image statically. These original works are not "classified" by any government organization I assure you. They simply exist in a different dimension and are visible to a different range of senses.

(The DVD Meditations in TimeSpace is an attempt to capture some sense of how the paintings are actually presented in their native environment.)



                        Chamber Thirteen   Cámara Catorce   Cámara Quince   Cámara Dieciséis   Cámara Diecisiete   Cámara Dieciocho   Cámara Diecinueve   Cámara Veinte   Cámara Veintiuno   Cámara Veintidós   Cámara Veintitrés   Cámara Veinticuatro 
In 2004, Chris Lock Ph.D., F.S.A.I., contacted WingMakers and asked if it would be okay for him to research and write a paper on the Ancient Arrow site Chamber Painting 6. He had been studying the paintings for some time and had various ideas as to their meaning, symbolic purpose, and connection to historical myth.

The paper was distributed electronically, and was very well received. Mr. Lock next worked on Chamber 17 in 2007, and then in 2009, he completed his paper on Chamber 1. These carefully researched writings provide a great insight into the level of detail and the narrative that goes into the development of these paintings.

With detailed illustrations, these papers reveal how the Chamber Paintings from the Ancient Arrow site use extraordinarily rich imagery, depicting the WingMakers’ Cosmology in all its complexity, sophistication, beauty and enchantment. Revealing a “key of codes” or meanings that can be applied to the other WingMakers’ chamber paintings, these papers are an indispensable aid for decoding the subtle, multi-leveled expression of these enigmatic paintings.

The papers also share Lock’s account of experiencing the Thunderous Silence of Zen as he approached completion of the painting’s decoding, demonstrating that the close study of the art of the WingMakers can indeed shift consciousness.

These papers can be downloaded in PDF form below:

Chamber 1

Chamber 6

Chamber 17





The term WingMakers is encoded:
“Wing” is derived from the term wind or blow. It is the active force of setting new states into motion.
“Makers” is the plurality of the co-creators—that being the collective essence of humanity.
Thus, WingMakers means that from the collective essence of humanity new states of consciousness come into being.
This is the meaning of the term WingMakers, and it confers to humanity a new identity.
Humanity is transitioning to become WingMakers.”

James Mahu. Excerpted from the Collected Works of the WingMakers Vol. 1.



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"These works are catalytic and intended to help individuals shift their consciousness in order to more effectively access their own spiritual purpose, particularly as it relates to the discovery of the Grand Portal.. 


"The important thing to bear in mind as you review these materials is that you are composed of a human instrument that consists of your physical body, emotions and mind. The human instrument is equipped with a portal that enables it to receive and transmit from and to the higher dimensions that supersede our three-dimensional reality —the reality of everyday life. 

These materials are designed to assist your development of this portal so as you read and experience these works, you are interacting with this portal, widening its view and receptivity."


James

Collected Works of the WingMakers Vol.1